:: perception of pictures, of art ::
- Cutting, J.E. (in press). The end of art?
Empirical Studies in the Arts, in press.
- Cutting, J.E. (2007). Mere exposure,
reproduction, and the impressionist canon. In A. Brzyski (Ed.) Partisan
canons (pp. 79-93). Durham, NC: Duke University Press. Link
to book.
- Cutting, J.E. (2006). The mere exposure effect and
aesthetic preference. In. P. Locher, C. Martindale, L. Dorfman, V. Petrov,
and D. Leontiv (Eds.) New directions in aesthetics, creativity, and the
psychology of art (pp. 33-46). Amityville, NY: Baywood Publishing. Link
to book.
- Cutting, J.E. (2003). Gustave Caillebotte, French
Impressionism, and mere exposure. Psychonomic Bulletin & Review, 10
319-343.
- Cutting, J.E. (2003). Reconceiving perceptual space.
H. Hecht, R. Schwartz, & M Atherton (Eds.) Perceiving Pictures: An
Interdisciplinary Approach to Pictorial Space (pp. 215-238) Cambridge,
MA: MIT Press. Link
to book.
- Cutting, J.E. (2002). Representing motion in a static
image: Constraints and parallels in art, science, and popular culture.
Perception, 31, 1165-1194.
- Cutting, J.E. (2000). Images, imagination, and movement:
Pictorial representations and their development in the work of James Gibson.
Perception, 29, 635-648.
- Cutting, J.E. & Massironi, M. (1998). Pictures
and their special status in cognitive inquiry. In J. Hochberg (Ed.) Perception
and cognition at century's end (pp. 137-168). San Diego, CA: Academic
Press. Link
to book.
- Cutting, J.E. (1997). How the eye measures reality
and virtual reality. Behavior Research Methods, Instrumentation, and
Computers, 29, 29-36.
- Busey, T.A., Brady, N.P., & Cutting, J.E. (1990). Compensation
is unnecessary for the perception of faces in slanted pictures. Perception
& Psychophysics, 48, 339-347.
- Cutting, J.E. (1988). Affine distortion
of pictorial space: Some predictions for Goldstein (1987) that La Gournerie
(1859) might have made. Journal of Experimental Psychology: Human
Perception and Performance, 14, 305-311.
- Cutting, J.E.& Garvin, J.J. (1987). Fractal
curves and complexity. Perception & Psychophysics, 42, 365-370.
:: perception of film ::
- Cutting, J.E. (2005). Perceiving scenes in film and
in the world. In J.D. Anderson & B.F. Anderson (Eds.) Moving image
theory: Ecological considerations (pp. 9-17). Carbondale, IL: University
of Southern Illinois Press. Link
to book.
- Cutting, J.E. (1997). How the eye measures reality
and virtual reality. Behavior Research Methods, Instrumentation, and
Computers, 29, 29-36.
- Cutting, J.E. (1991). On the efficacy of cinema, or
what the visual system did not evolve to do. In S. Ellis (Ed.) Pictorial
communication in virtual and real environments (pp. 486-495). London:
Taylor & Francis. Link
to book.
- Cutting, J.E. (1987). Rigidity in cinema
seens from the front row, side aisle. Journal of Experimental Psychology:
Human Perception and Performance, 13, 323-334.
- Cutting, J.E. (1986). The shape and psychophysics
of cinematic space. Behavior Research Methods, Instruments, &
Computers, 18, 551-558.
