:: perception of film ::
- Cutting, J. E., DeLong, J. E., & Nothelfer, C. E. (in press). Attention
and the evolution of Hollywood film. Psychological Science. Keith
Oatley's blog
piece. Cornell Sun publicity
- Cutting, J.E. (2005). Perceiving scenes in film and
in the world. In J.D. Anderson & B.F. Anderson (Eds.) Moving image
theory: Ecological considerations (pp. 9-17). Carbondale, IL: University
of Southern Illinois Press. Link
to book.
- Cutting, J.E. (1997). How the eye measures reality
and virtual reality. Behavior Research Methods, Instrumentation, and
Computers, 29, 29-36.
- Cutting, J.E. (1991). On the efficacy of cinema, or
what the visual system did not evolve to do. In S. Ellis (Ed.) Pictorial
communication in virtual and real environments (pp. 486-495). London:
Taylor & Francis. Link
to book.
- Cutting, J.E. (1987). Rigidity in cinema
seen from the front row, side aisle. Journal of Experimental Psychology:
Human Perception and Performance, 13, 323-334.
- Cutting, J.E. (1986). The shape and psychophysics
of cinematic space. Behavior Research Methods, Instruments, &
Computers, 18, 551-558.
:: perception of pictures, of art ::
- Cutting, J.E. (2009). The end of art?
Empirical Studies in the Arts, 27, 153-158.
- Cutting, J.E. (2007). Mere exposure,
reproduction, and the impressionist canon. In A. Brzyski (Ed.) Partisan
canons (pp. 79-93). Durham, NC: Duke University Press. Link
to book.
Link to review
- Cutting, J.E. (2006). The mere exposure effect and
aesthetic preference. In. P. Locher, C. Martindale, & L. Dorfman (Eds.)
New directions in aesthetics, creativity, and the psychology of art
(pp. 33-46). Amityville, NY: Baywood Publishing. Link
to book. Link to review
- Cutting, J.E. (2003). Gustave Caillebotte, French
Impressionism, and mere exposure. Psychonomic Bulletin & Review, 10,
319-343.
- Cutting, J.E. (2003). Reconceiving perceptual space.
H. Hecht, R. Schwartz, & M Atherton (Eds.) Perceiving Pictures: An
Interdisciplinary Approach to Pictorial Space (pp. 215-238) Cambridge,
MA: MIT Press. Link
to book.
- Cutting, J.E. (2002). Representing motion in a static
image: Constraints and parallels in art, science, and popular culture.
Perception, 31, 1165-1194.
- Cutting, J.E. (2000). Images, imagination, and movement:
Pictorial representations and their development in the work of James Gibson.
Perception, 29, 635-648.
- Cutting, J.E. & Massironi, M. (1998). Pictures
and their special status in cognitive inquiry. In J. Hochberg (Ed.) Perception
and cognition at century's end (pp. 137-168). San Diego, CA: Academic
Press. Link
to book.
- Cutting, J.E. (1997). How the eye measures reality
and virtual reality. Behavior Research Methods, Instrumentation, and
Computers, 29, 29-36.
- Busey, T.A., Brady, N.P., & Cutting, J.E. (1990). Compensation
is unnecessary for the perception of faces in slanted pictures. Perception
& Psychophysics, 48, 339-347.
- Cutting, J.E. (1988). Affine distortion
of pictorial space: Some predictions for Goldstein (1987) that La Gournerie
(1859) might have made. Journal of Experimental Psychology: Human
Perception and Performance, 14, 305-311.
- Cutting, J.E.& Garvin, J.J. (1987). Fractal
curves and complexity. Perception & Psychophysics, 42, 365-370.
